Abandoned asylum adventures part 1

Abandoned psychiatric facility (first level of building 122)
deadly corridor


Abandoned psychiatric facility (upper level room at rear of building 122)
lost souls

Abandoned psychiatric facility (basement of building 122)
darkness revealed

Abandoned psychiatric facility (building 135)
resuscitator room

Abandoned psychiatric facility
Stairs and Corridor

Abandoned psychiatric facility (building 136)
tea

Abandoned psychiatric facility (building 136)
foreboding doorway

Abandoned psychiatric facility (building 136)
draped

Building 136
Dark Empty Cabinets

Abandoned psychiatric facility (building 136)
Open Cabinet Doors

Abandoned psychiatric facility (building 136)
long narrow lavatory




These images are from three separate trips to an abandoned psychiatric facility in New York which resides on a huge acreage and consists of dozens of buildings. The facility opened in the mid 1800's and expanded rapidly from several patients to several thousand. Thorazine, shock therapy and frontal lobotomies were part of the treatments for many patients but on the bright side reduced the number of which needed to be kept in restraints and straight jackets over time. Treatments eventually became better, more effective and more humane.
During the later years, patients were transferred out to other facilities and officially closed down in 1996, although a couple of smaller buildings still are used as homes and treatment centers for a number of patients.

The first building I ventured into alone, building 122. This was part of a group consisting of a few buildings where patients were housed. This group of buildings were in terrible condition from roofs that had collapsed allowing extreme water dame to set in over the years. The other buildings had already imploded and this one I went in was ready to collapse at any time. The first shot in b&w is of the first level corridor with many rooms on each side. As you can see, the floors are caving and much of the ceiling as well exposing the upper level corridor. Foolishly, I had went in here alone and while trying to make my way down to search some of the rooms, the floor collapsed and I found myself halfway through to the basement. Fortunately, I did not fall all the way through and was able to pull myself up and get back to safer flooring. Many of the rooms were without floors due to collapse and large sections of the corridor floors were collapsed as well.

The next image of the window and faces on the wall was taken on the upper level of this building in a room at the very rear. Getting that shot was extremely nerve wracking because the entire floor in that room was swaying with my weight and many of the images did not come out quite well because the tripod would move due to the floor movement. Thankfully I came away with this image, and my life!

The next image is of a room in the basement. The entire basement was practically pitch black due to boarded up windows but this particular room had a window uncovered and a nice lighting shining through.

The next set of images are from building 135 which was used as a convalescence for special patients recovering from surgeries or illnesses. There were two floors and a basement but only the first floor had light from no boards on the upper half of the windows. I ventured into this building alone as well, but it was in much better shape than the other and aside from being a bit spooky I was comfortable in that it was fairly safe.

The next set are from building 136 which was the first stand alone medical and surgical building on the site, built sometime in the 1920's.

Fellow photographer James Oligney was interested in coming along for this venture and so we hooked up and headed out armed with dust masks, plenty of water and much of our camera gear including tripods. James is a cool dude and one heck of a fine photographer. He is specializing in portraiture and headshots and you should have a look at his site and blog. Great stuff from James.

On previous visits I had found an opening to a basement window and thought we could access it from there but turned out it was a sealed boiler room with no way into the rest of the structure. We roamed about the perimeter for a while when James calls out that he found an opening through a window that had been raised. Actually, took me a minute to realize he was calling for me because he was using a bird call and he sounded like the real thing!
This building was quite large compared to the previous ones I had hit. Three stories but covering a large footprint of about a half a block deep and side to side. It resembles two opposing L shapes joined in the center by the main rectangular structure, so inside it appears vast and a bit confusing. We made note of where we entered and kept track of how to get back to that room eventually.

All of my asylum images have been done with HDR (high dynamic range) processing typically utilizing about 5 exposures per image. This is done to try and balance the exposure from the bright window with that of the darkest areas in a room or corridor. Doing this allows for correct exposure of the entire scene without losing highlights due to blowout or detail in the shadow areas due to underexposure.

I'm using a program called Photomatix Pro to blend the exposures that i have captured in RAW format. I try to process them to have a more or less natural look about them and not look over cooked.
HDR can also be processed manually by layering several exposures in Photoshop and manually blending them together using layer masks. I actually do a combination of both in some images. Photographs where there are foliage outside a window can sometimes be difficult due to the wind blowing the foliage around in between takes. This can cause problems when trying to blend the exposures together with a program like Photomatix. Although most programs have settings that help align and reduce the "ghosting" effects of moving elements, they are not always very successful. I find I can take the exposure that was correct for the window area and manually blend it into the otherwise finished HDR image thus eliminating the ghosting due to movement. There are many ways of doing things and sometimes the best way is a combination of a few together.